The new OMA-designed Taipei Performing Arts Center opened up last Sunday and so you'll now find lots of articles, photos, and drone videos circulating around online. The two partners-in-charge, Rem Koolhaas and David Gianotten, were also on this Monocle on Design episode talking about the genesis of the project and how they worked to optimize the various theater spaces.

My favorite part of the whole story is how they actually won the design competition. The site is located next to Taipei's renowned Shilin Night Market. And I can attest to this fame because I spent a summer living in Taipei while I was in university. This night market was the thing I was immediately told I needed to visit as soon as I stepped off the plane. And they weren't wrong. I spent many a nights with those stinky tofu dishes that smell like feet but actually taste pretty good.

But for whatever reason, the competition brief stipulated that the night market was to be torn down in order to make way for this new performing arts center. And since it was in the brief, almost everyone took it as a non-negotiable given. The only firm that didn't -- out of 140 bidders -- was OMA. They questioned why the city couldn't have both: a new performing arts center and their wildly successful night market.

So that's how OMA -- at least partially -- won the competition. And I'm certain that Taipei is better for it.

Earlier this year, architect Rem Koolhaas of OMA spoke with Mohsen Mostafavi (dean of the Harvard Graduate School of Design) to close out the 2016 AIA convention. 

I still remember my first architectural theory class where the professor told us all that Koolhaas was the most important living architect of our time. And today, if you think about all of the stars that have grown out from his firm – such as Bjarke Ingels and Joshua Prince-Ramus – it is certainly a defensible argument.

Koolhaas is generally very critical of globalization and the market economy when it comes to creating good architecture. His view is that “pure profit motives” are leading to cities that are basically not designed.

This is a fairly common belief within architectural circles, which is why many celebrated names would rather work on a museum over a residential condo project. The latter is too motivated by profit. It’s not architecturally interesting.

I, on the other hand, have always believed in working within the confines of the market to try and promote great architecture and city building. I’m not saying that the market is perfect, but profitability is a constraint that every industry deals with. Architecture is no exception.

That said, there are other things that I agree with Koolhaas on. Below are 3 verbatim highlights taken from a Fast Company article summarizing his talk with Mostafavi: 

Communication needs an overhaul.

“Architecture has a serious problem today in that people who are not alike don’t communicate. I’m actually more interested in communicating with people I disagree with than people I agree with.”

"To have a certain virtuosity of interpretation of every phenomenon is crucial. We’re working in a world where so many different cultures are operating at the same time, each with their own value system. If you want to be relevant, you need to be open to an enormous multiplicity of values, interpretations, and readings. The old-fashioned Western ‘this is’ ‘that is’ is no longer tenable. We need to be intellectual and rigorous, but at the same time relativist.”

Architecture’s greatest value in the future might not even be architecture.

“Architecture and the language of architecture—platform, blueprint, structure—became almost the preferred language for indicating a lot of phenomenon that we’re facing from Silicon Valley. They took over our metaphors, and it made me think that regardless of our speed, which is too slow for Silicon Valley, we can perhaps think of the modern world maybe not always in the form of buildings but in the form of knowledge or organization and structure and society that we can offer and provide.”

Preservation is a path forward.

"We’ve tried to discover domains and areas in architecture which are not a simple vulgar multiplication of uninspired global projects. Recently, we have looked at preservation. The beautiful thing about preservation is you begin with something that already exists and therefore is already local. By definition, a preservation project is an homage to earlier cultures and mentalities to which you can add a new dimension, a new function, a new beauty or appeal. Almost every impulse signals that globalization needs rethinking or adjustment.”

I just checked into the Chateau Laurier Quebec after a busy day touring the city. I don’t have a ton of time to write this post before dinner (though I have a few post ideas brewing). I did however want to share some of the day’s events and some of my photos.

After I landed I went straight to Île d'Orléans. I had never been there before so I’m glad I got the opportunity. It’s about twice the size of Manhattan and it has a population that hovers somewhere between 7,000 and 10,000 people depending on the season.

The first stop was a “sugar shack”, which is apparently a big deal in Quebec and in the springtime. The place was packed. Here I had a traditional Quebec lunch (which was great) and I learned that all of the Canadian stereotypes are actually true. We really do put maple syrup on everything.

After lunch I then asked if we could stop at a few of the local wineries. I love wine and I love wine culture.

I picked up one bottle of “wine” from Cassis Monna & Filles. It’s actually made from black currants though, which I was told was illegal to grow in North America for a long time. It’s far more popular in Europe.

The winery is run by a father and his two daughters. And I thought they did a great job with their brand story and their overall identity.

After leaving the island, I then went to the Montmorency Falls. I had no idea Quebec had falls, but they do. And the vertical drop is bigger than that of Niagara Falls.

Finally, I finished the afternoon with a quick tour of downtown and the OMA designed expansion to the fine arts museums. It has one aggressive cantilever.

Here’s a video of the project. Click here if you can’t see it below. 

[vimeo 111133943 w=500 h=281]

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