121 East 22nd -- which is OMA's first ground-up project in Manhattan -- recently finished up construction at the corner of E 23rd St and Lexington Ave (the site continues through to E 22nd St, where there is basically a 2nd building). I wrote about the project over two years ago, here.
Below is a photo by Laurian Ghinitoiu, via Dezeen, of it completed:
The defining feature is its "prismatic corner", which, I understand from this interview with David Von Spreckelsen (President of Toll Brothers City Living), was largely an outcome of the site's restrictive zoning. There was a requirement to have constant street walls. That minimized what could be done architecturally on the project's main elevations.
The solution is two contextual street walls -- the punched windows are designed to match the rhythm of their adjoining buildings -- coming together and creating dramatic visual interest only at the point where they intersect. Below is a rolled out elevation from OMA. Note the gradient created by the windows as they converge toward the corner (center in the drawing below).
The other interesting thing about this project is that it reminded me just how different the built form of Manhattan can be compared to Toronto. In the case of 121 East 22nd, the streetwalls rise 150 feet without any stepbacks. There is then a 10 foot stepback before the building rises another 60 feet -- similarly without any additional breaks.
I love the grandeur.
About a year ago I wrote about how NYC is considering a congestion charge on vehicles entering Manhattan below 60th street. Well it looks like that plan could be adopted as early as April 1 (however the fees won't start until 2021). Here's a map of the proposed congestion pricing zone from the NY Times:
I have written extensively on road pricing over the years and so I won't repeat myself here today. Suffice to say that I think creating a sustainable funding source for transit and other mobility options is a positive step forward.
Hudson Yards officially opened today on the west side of Manhattan. More specifically, the eastern half of Hudson Yards opened. There's a second phase to come on the western yards. And the highly anticipated observation deck at 30 Hudson Yards -- the highest outdoor observation deck in the Western Hemisphere -- is also not quite ready. It is expected to open in early 2020.
Considered the largest mixed-use private real estate project in American history by square footage, Hudson Yards has been in the works for many decades and was previously part of New York's (failed) bid for the 2012 Olympic Games. Dan Doctoroff, who is now the CEO of Sidewalk Labs, led the bid under the Bloomberg administration.
So today is a bit of a big deal.
To commemorate the opening, the architecture critic for the New York Times, Michael Kimmelman, published this searing, but highly visual, piece about the project. I think it is fairly safe to assume that he isn't a huge fan (he doesn't seem to love developers either).
Here's an excerpt talking about Thomas Heatherwick’s Vessel:
Purportedly inspired by ancient Indian stepwells (it’s about as much like them as Skull Mountain at Six Flags Great Adventure is like Chichen Itza) the object — I hesitate to call this a sculpture — is a 150-foot-high, $200 million, latticed, waste-basket-shaped stairway to nowhere, sheathed in a gaudy, copper-cladded steel.
It preens along the critical axis between the High Line and the newish No. 7 subway station at Hudson Yards, hoping to drum up Instagram views and foot traffic for the mall, casting egregious shadows over what passes for public open space, ruinously manspreading beside the Shed, the most novel work of architecture on site, and the only building the private developers didn’t build.
If any of you have formulated your own opinions about Hudson Yards, I would love to hear from you in the comments below. I'm looking forward to exploring the neighborhood in person sometime soon. If you're interested in learning more about the project, Curbed also just published, The ultimate guide to Hudson Yards.
Photo by Sandy Ching on Unsplash